
Rothenstein also purchased this painting for the collection by John Nash, brother of Paul Nash. John Nash was a talented self-taught artist who taught at the Royal College of Art. This painting is based on a watercolour Nash would have painted on the spot on one of his painting trips to Dorset. It shows a well managed agricultural landscape. Nash was not inspired by the landscape paintings of other artists. His deep empathy with the countryside informed his approach to landscape painting. He painted what he saw.
Dorset Landscape, about 1930 oil on canvas by John Nash (1893-1977).
Summertime with deep shadow in foreground; a dense clump of trees beside a stream, seen from an elevated perspective. Trees lean to the left in a strong wind. Beyond rises a small steep hill most of which is tilled for cultivation except for the summit which is left undisturbed. On it stands a small lone tree.
John Nash, the brother of Paul Nash, is one of the most important landscape painters of the 20th century. He had no formal artistic training and besides painting he was also a plantsman and book illustrator. He lived on the Stour Valley on the Suffolk/Essex border, a landscape made famous by two of Britain’s most important landscape painters: Gainsborough and Constable. Nash was not inspired by the landscape paintings of other artists however. His deep empathy with the countryside informed his approach to landscape painting. He painted what he saw. This painting is based on a watercolour that Nash would have painted on the spot on one of his painting trips to Dorset. It shows a well managed modern agricultural landscape.
This exhibit is currently on display. Ref CALMG : 1978.108.154
Tullie House Museum and Art Gallery collection, purchased by Sir William Rothenstein
Image © Courtesy of the Estate of John Nash / The Bridgeman Art Library

Click here to view exhibitions designed for Secondary school students and their teachers.
Jonathan Jones: The late artist's unfinished replica of his childhood home, with its dark underground retreat, suggests parallels with his troubled life
Published on 16/05/2012
David Shariatmadari: A report by Riba suggests what we want from our homes – big, light-filled spaces – we just don't get. But in the current economic climate, what can architects do about it?
Published on 16/05/2012
Exhibition of images of Elizabeth II, which has already visited Belfast, Edinburgh and Cardiff, arrives in capital
Published on 16/05/2012
Your comments