
Key Words
glass; gilding
Questions to ask
Do some research about how glass is made. What materials are required to make glass? How is glass shaped? How is it coloured?
Glass as a material is cheap; however, art made from glass is usually very expensive. Why might this be?
Glass is one of the top five collected items in the world. What glass item would you collect if you could afford it? Why?
How this might inspire your work
Design your own perfume or aftershave bottle and stopper for a 19th or 20th century client.
Research a person from the 19th or 20th century – this person will become your client. Take on the role of this client, and create a design brief for the perfume or aftershave bottle. Think about whether the client intends to keep the bottle for themselves, when and how the bottle will be used, where it will be kept, and what budget the client will give the you as the designer.
Take the Tullie House perfume flask as a starting point, and research other perfume or aftershave bottles from your chosen era. Make a series of sketches, and consider decoration, colour and shape. Consider the stopper of the bottle as well as the flask.
Perfume Flask, around 1750-1840, glass.
This long, thin, clear, cut-glass bottle is decorated with gold gilded hatching and has a gilded stopper. The gilded decoration would have been applied when the glass was cold; gilding is sometimes fired and sometimes not. The decoration would have then been fixed with an agent such as gum arabic.
The perfume flask was made by either Battersea Enamel or Bilston Enamel of Wolverhampton.
Tullie House Museum and Art Gallery collection, bequest of Robert Hardy Williamson 1940
Image © Tullie House Museum and Art Gallery

Click here to view exhibitions designed for Secondary school students and their teachers.
Jonathan Jones: The late artist's unfinished replica of his childhood home, with its dark underground retreat, suggests parallels with his troubled life
Published on 16/05/2012
David Shariatmadari: A report by Riba suggests what we want from our homes – big, light-filled spaces – we just don't get. But in the current economic climate, what can architects do about it?
Published on 16/05/2012
Exhibition of images of Elizabeth II, which has already visited Belfast, Edinburgh and Cardiff, arrives in capital
Published on 16/05/2012
Your comments