
Here Fell uses a lighter colour palette in this later painting. She captures the traditional haymaking scene with thick paint applied with expressive paint strokes.
Harvest Field in Cumberland 1975 by Sheila Fell (1931–1979). Oil on canvas.
This haymaking scene shows the landscape in summer on a cloudy day. In the centre of the composition a horse and cart stand beside a haystack being loaded onto a hay cart by two agricultural workers. To left of composition two indistinct figures can be seen walking and in the distance to right of composition stands a red-roofed whitewashed cottage.
Despite spending most of her time in London, Fell made frequent trips home to Aspatria. Fell was preoccupied with the area around Aspatria as an artist. The villages, cottages, farms, farm animals and people working in the fields and the Lake District fells were the subjects of her art. In her early work she used a dark colour range which lightened over the years as we can see in this example. She applied her paint thickly. She was influenced by Cezanne, Van Gogh and Frank Auberbach.
Sheila Fell is a major British landscape painter of the mid 20th century and one of Cumbria’s most important 20th century artists. She was born in Aspatria and educated at Wigton and attended Carlisle College of Art 1947–9. She left Cumbria in 1949 to study at St Martin’s School of Art in London where she remained until 1951. She met L S Lowry in 1956 and they became friends. Lowry visited Aspatria and got to know Fell’s parents. Lowry’s painting did not influence Fell’s work however. Fell began exhibiting her landscape paintings at the Royal Academy in 1965 and was elected Associate in 1969 and Royal Academician in 1974.
There are these inscriptions on the exhibit:
Tullie House Museum and Art Gallery collection, purchased by Roger de Grey 1976
Image © reserved / Anna Fell

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